TERRE HAUTE, Ind. – October 8, 2018 – Theater 7 embarks on its third season with a dramatic reading of This Side of Eternity: The Story of Kristallnacht on Thursday, October 18th in The Velvet Room at the Terre Haute Brewing Company. This Side of Eternity is a play in two acts by Christopher Bibby, a clinical psychologist and theater-maker from Terre Haute who now resides in the Chicago area.
This Side of Eternity is set in Germany, 1938. The Holocaust lies in the future but the Nazi propaganda machine is using peace-time to plant insidious seeds. Martin, read by Michael Tingley, and Jozef, read by Peter Ciancone, find their life-long friendship tested when Hitler incites legal terrorism on his Jewish citizens. Can a Christian Nazi and his Jewish best friend hold their bond together or will they be swept into a conflict destined to consume the entire world?
In reflection of the 80th anniversary of this historic event, This Side of Eternity: The Story of Kristallnacht examines the nature of evil itself, the real human beings behind genocide, and asks if it’s possible to resist in the face of insurmountable odds. It explores the subtle roots of evil that are in place long before destructive choices occur and speaks to many issues dominating our current national discourse. Clear answers are hard to find but the heart of this play – two men who long to keep their deep bond as external forces seek to destroy it – challenges us to keep looking.
Support Theater 7 by purchasing one of our stylish items
If these fall mornings have had you thinking about long sleeves and pumpkin spice lattes, then you need one of our tees and mugs! Also available: hats, short-sleeve t's and canvas totes. We ship!
Contact us at email@example.com.
Long sleeve tees - $15
Short sleeve tees - $10
Travel mugs - $12
Hats - $10
Canvas totes - $5
Indiana Staesman Online September 20, 2017
Kiara Dowell Reporter
“Withdrawn” by Tim Dick will be opening on Sept. 21 at Theatre 7.
This is an installment of their First Light Series in the Velvet Room at the Terre Haute Brewing Company. “Withdrawn” was written by a graduate student at Indiana State University and will promptly begin at 6 p.m.
The one-act show is about a person named Billy, who is suffering from a heroin addiction. Theatre 7 will be touring the show to local rehabilitation centers to promote addiction awareness.
Theater 7’s inaugural season will continue this weekend with Arthur Miller’s “Death of a Salesman,” directed by associate director Arthur Feinsod.
The cast — including Brad Venable as Willy Loman and Susan Monts-Bologna as his wife, Linda — will take the stage at the historic Indiana Theatre. The production will start at 7:30 p.m. Friday and Saturday.
“Death of a Salesman,” an American classic about a struggling New England salesman driven by his view of the American Dream, is as relevant today as it was when it opened on Broadway in 1949, according to the play’s presenters. Though widely considered a tragedy, the Lomans’ story is also one of endurance, individuality and courage.
Theater 7 brings 1949 play back to life at Indiana Theatre
Theater 7’s version of “Death of a Salesman” debuted Friday night and it will continue with four more performances, including tonight, at the Indiana Theatre.
Arthur Feinsod, a professor of theater at Indiana State University, is directing the 2-hour, 40-minute play. Among the 16 actors in the cast are Brad Venable (Willy Loman), Susan Monts-Bologna (Linda Loman) and Arnick Shouse (Charley the next-door neighbor).
by Joe Mcglone
Arthur Feinsod - Theater 7
Danny and Arthur talk about the nonprofit theater company known as Theater 7. Arthur touches on the building blocks of this organization which include 7 principles, which include diversity and commitment to new work, as well as criteria for core membership to maintain a quality professional theater. Arthur goes on to talk about how young people can get involved in live theater in Terre Haute. Finally, Arthur talks about the organization giving back to nonprofit organization from all ticket sales.
THE DIRECTOR’S NOTE
The first full-length play I ever directed was Arthur Miller’s All My Sons, which I directed as a Harvard undergraduate in the early 1970’s. So now, almost half a century later, it feels like a homecoming for me to direct Death of a Salesman. I chose to do it for a number of reasons. First of all, I have taught it for years and have always loved it. Second, I find in this play a work that is as relevant today as it was in 1949 when the play was first performed. And finally, as I imagined how it could be produced on the historic Indiana Theatre stage, I realized it could be presented in such a way that supports a number of the company’s salient principles.
I took my cue for the set from Arthur Miller himself. According to his autobiography, Miller’s original idea was to place the drama on a virtually empty stage, with three platforms: just a few key props floating in blackness. There were to be no walls, not even a house, until the show’s first Broadway designer Jo Mielziner declared, with director Elia Kazan, that “the Salesman needs his house.” Miller not only agreed to that change but embraced it, including the skeletal house and backdrop of encroaching apartment buildings into the stage directions of the published play. But I became intrigued to explore Miller’s original idea because it corresponded with Theater 7’s principle of stage simplicity.
The struggles and joys of people from decades ago can seem surprisingly relevant in the present.
Interactions of characters from biblical times, a Mark Twain book or a ’70s movie might neatly fit into 2017. Just change the clothes styles, lingo and technology, and it’s clear that people are still humans in need of footwear, bread and love.
That’s why Jeff Lorick believes a play based on stories of a novelist from the Harlem Renaissance era of the early 20th century can hit home with Terre Hauteans of all backgrounds in the 21st century. Zora Neale Hurston, who became an icon of African-American literature after her death in 1960, lived through the heartbreaks, hard times and recoveries depicted in “Spunk.”
In 1989, Tony Award-winning playwright George C. Wolfe adapted the play from Hurston’s writings.
Appropriately, Theater 7 chose “Spunk” as its debut production. The group has given Terre Haute an asset that is rare for a small Midwestern community — a year-round, racially diverse, professional theater company with a mission to bring the art form to people who may never have attended a play. They aim to entertain, enlighten and inspire audiences. “Spunk” delivers on that goal, said Lorick, director of the play that continues its two-weekend run tonight, Saturday and Sunday in the Indiana Theatre.
TERRE HAUTE, Ind. – Feb. 1, 2017 – Theater 7 celebrates Black History Month with “Spunk”, a George C. Wolfe adaption of three short stories written by Zora Neale Hurston with music by Chic Street Man. It will be performed at the Indiana Theater and runs Feb. 17, 18, 19, 24, and 25. Tickets are on sale now at the ISU Hulman Center Box Office and ticketmaster.com.
Utilizing the blues, choral narrative and dance, the three tales focus on men and women trapped inside the "laughin' kind of lovin' kind of hurtin' kind of pain that comes from being human." The first of the three tales, SWEAT, tells the story of a young washerwoman who is abused and betrayed by her estranged husband and of her ultimate triumph over him. The second piece, STORY IN HARLEM SLANG, is told in 1940s Harlemese. It is the story of two street Lotharios trying to outhustle each other and win the favor of—and a meal from—a domestic on her payday afternoon off. The third tale, THE GILDED SIX BITS, is a bittersweet story of an adoring husband's betrayal by his loving but innocent wife.
Staff Report Published: August 31, 2016, 9:32 am Updated: August 31, 2016, 10:08 am
TERRE HAUTE, Ind. (WTHI) – A performance with a purpose.
We recently told you about theater 7; it’s a new performing arts company in terre haute that focuses on a positive message.
Listen to the words… they tell a story, a very powerful one of what it’s like to feel alone, unwanted, isolated.
Those strong words are set to a rhythm, choreographed to perfection.
“With this, you have to be on the beat, all the time.”
These are actors at Theater 7 and they want their words to jump off the script, right to your heart.